![]() It works best if your photos were taken at nearly the same angle though, and even then it sometimes gets it wrong. This is a pretty powerful feature, and it nearly always does a great job at aligning the images. You can then copy and paste the people from the different photos into the one final image. Photoshop rotates, squeezes and distorts the photos so that they all line up with each other. Simply stack the three photo layers on top of each other, select them, then run Auto-Align Layers. ![]() It's almost like a non-panoramic version of the Photomerge command.įor example, say you've taken three photos of the same scene, but with different people in. The wonderful new Auto-Align Layers command automatically lines up several different photos of the same scene, even if the photos were taken from different angles. It's nice to know that more features don't always mean more code bloat! In fact CS3 is generally zippier than CS2 was, with brushes and filters feeling that much more responsive than in CS2 the application is much quicker to launch too. Universal Mac application and speed improvementsĪt last, with the release of CS3, Photoshop becomes a Universal Mac application, allowing it to run at native speeds on the new(ish) Intel Macs. There's also a new Maximized Screen Mode - available by clicking the icon at the bottom of the toolbox, or by pressing F - that expands the document window to fill the available screen space between your toolbox and palette docks. However, if you prefer the old style interface, you can always drag your palettes out of the dock, and have them floating free again. You can keep your commonly-used palettes, such as the Layers palette, open all the time, and collapse the rest to icons until you need them, freeing up more space to work on your images. ![]() It takes a while to memorise the icons, but once you do you'll be flipping between palettes in no time. The new collapsible palette docks let you reduce all your palettes down to tiny icons when you're not using them - see the screenshot on the right - which is a wonderful space saver. Speaking of slimming down, Adobe have really gone to town with the palettes. You can easily flip back to the two-column version by clicking the double arrow at the top of the toolbox window. This allows you to keep the toolbox out of the way on the side of your screen - great for freeing up horizontal space. For one thing, the toolbox has been slimmed down to a single column of buttons, rather than the pre-CS3 two-column design. The first thing you notice when firing up CS3 is the new user interface. New featuresĪlthough the new feature list for CS3 isn't quite as lengthy as CS2 was, there are quite a few radical changes in there - a redesigned interface, the wonderful Auto-Align Layers command, and the clamoured-for Smart Filters, to name but a few. Let's take a look at the new, fun stuff that Adobe have added to their latest release, as well as areas that they've improved over CS2 and earlier versions. We've been playing with the CS3 beta for the last few months, and it's certainly an impressive beast. The latest incarnation - Photoshop 10, or CS3 - is just around the corner Adobe officially launched it last week, and it's currently available for pre-order at the time of writing. This impressive application, nearly 20 years old, is very much the industry standard for image editing and photo retouching, and is often the software of choice for the Web designer too. If you're a professional Web designer, chances are that you've used Photoshop at least once in your life. Is it worth the upgrade? Read on and find out! What new goodies await us in Photoshop CS3? Matt reviews the features and enhancements that Adobe have added to this industry-standard image editor.
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